女人
影片讲述了一个从小被抛弃于森林,依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中,男主人极度大男子主义,仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲,被父亲侮辱而怀孕的大女儿,以及不谙世事的小女儿。故事的最后,大女儿在极度绝望和恐惧的支配下放了野女人,野女人杀了她的父母和弟弟,带走了她的妹妹。 本片以不太恐怖的氛围,却深刻的暗喻了一个至今仍然存在的严重的社会现象,男人应该如何看待女人,女人应该如何正确扮演家庭中的角色。
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Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
苍蝇之母
When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.
安吉的治疗
十年前,一位在派对上被强奸的年轻女子,饱受创伤,抓住难得的机会,向施暴者反击。然而,复仇的甜蜜滋味,却让她变成了多年来一直恐惧的那个怪物。这段惊险刺激的旅程将让你紧张不安,模糊是非对错的界限。随着权力格局的不断变化,安吉的治愈之路也引出了一个问题:“为了摆脱创伤,你愿意付出多少?”